约瑟 · 姆诺兹
约瑟•姆诺兹的画作展示了现代都市和其中交错复杂的沟通联络网。这些交错表现了人类的趋同性,交汇处的不同韵律正是他们独特个性的表达。姆诺兹立志成为全球化时代的艺术家,其作品已在国际范围内受到广泛赞赏。
Biography and Résumé
Jose Muñoz paintings illustrate urban landscapes and demonstrate the web of interconnections that materialize through networks of communication exchange. These intersections convey the convergence of human population and depict their action; rhythm in conjunction with their conditional elements. Muñoz embodies the ambition of a new globalized generation of artists and his work has garnished vast international acclaim.
CURRICULUM
2004 |
Master Degree on Plastic Arts, Universidad de
Antioquia. |
1998 |
Drawing and Perspective, Institute of
Bellas Artes, Medellín. |
SOLO EXHIBITIONS
2009 |
A Bird Eye View: French Aliances Gallery, Pereira, Colombia |
2006 |
Grey Zone: Julietta Álvarez Galery, Medellín, Colombia
|
2004 |
Focus: Julietta Álvarez Galery, Medellín, Colombia |
GROUP EXHIBITIONS
2011 |
Emocional Architecture GRUPO 5 ARQUITECTOS, MILAN, ITALIA |
2010 |
Latin-American Art gallery, ART BASEL MIAMI. |
2010 |
AAF. The Affordable Art Fair. NEW YORK CITY
|
2010 |
Permanency 15 artistas – 3 décadas. Art Faculty, Universidad de Antioquia, Medellin |
2009 |
Emocional Architecture, Bogota Chamber of Commerce- Artecamara |
2009 |
AAF. The Affordable Art Fair. NEW YORK CITY. |
2008 |
Paintings: Graduates of Art Faculty Universidad de Antioquia |
2007 |
Within the Contemporary Abstraction: Julietta Álvarez Galery |
2006 |
International Art Fair Bogotá: Artbo 2006.
Midnight in the Garden of Tuckahoe: The Mansion. Jensen Beach FL
The Wisdom of Giving: on behalf of Camillus House; Wisdom in
White Gallery, Miami FL
XI Regional Art Exhibit, Antioquia y el Eje Cafetero
|
2005 |
Metáforas: Galería rive gauche and General Colobmian Consulate
Miami Florida. |
2004 |
Exhibition for Poetry at Calle Corporación de Artes,
Decimoquinto Aniversario, La Barquereña Sabaneta Antioquia, Colombia
Salón de Agosto: Exhibition L` Ermitage Gallery, Medellín.
Urban Code: Casa Cuadrada Gallery, Bogotá.
La Cuadra Gallery and Colombo Franchase, Pereira, Colombia |
2003 |
Unions: Graduation Samples, Graduates from Art Faculty
Universidad de Antioquia. Contemporary Art Museum, Medellin, Colombia
XIII Natuional
Exhibition of Visual Art: National Curltural Awards,
Universidad de Antioquia.
Exhibition Industrial Center, Aburrà Norte.
Metropolitan Exhibition of Carving and Engraving, University Museum
Academic Sample of Carving and University Paintings, University Museum |
2002 |
Plastic Art Exhibition Medellin City. Palacio de la Cultura Rafael Uribe Uribe, Medellín.
Exhibition Hall of Plastic Art, Comfenalco Medellín, Colombia |
2001 |
Second Samples Monitors University Museum, Antioquia University, Medellin, Colombia
Engraving on Iron, Students of the Art Visual Department, Central Library Antioquia
University, Medellin, Colombia |
1999 |
Lines, Forms and Colors: City Hall, Medellin, Colombia
First Young Art Festival, Sabaneta Antioquia, Colombia |
DISTINCTIONS
2003 |
First Price Plastic Art Exhibition Medellin City, Culture Palace Rafael Uribe Uribe, University Museum Collection |
2002 |
Special Mentioning, Plastic Art Hall, Comfenalco, Medellin, Colombia Mención
Private Collection, Book Cover: Democracy and Citisenship. Jorge Arturo Bernal Medina, Luz Stella Álvarez Castaño, 2005. |
PUBLICATIONS
Magazine: PUNTO SEGUIDO N’ 49, Año XXVII, Articulo: José Fernando Muñoz: La Tensión Permanente de La Creación. Por Oscar González, Medellín 2006.
Democracia y Ciudadanías, Balance derechos y libertades en
Medellín, Jorge Arturo Bernal Medina, Luz Stella Álvarez Castaño.
Medellín, Abril 2005 (Carátula).
Magazine: Universidad de Medellín, N’ 75. Carátula. Medellín, Junio 2003.
ARTES La Revista. N’ 4 Vol. 2/ Julio Diciembre 2002. Pág. 1. Universidad de Antioquia. Facultad de Artes.
Leer y releer N’ – Sistema de Bibliotecas, Universidad de Antioquia – 2003.
COLLECTIONS
Private Collection; Raidmond Jungles. EE.UU.
University Museum Collection; Universidad de Antioquia, Medellín Colombia.
ILLUSTRATIONS
Corporación Región. Revista: Desde la Región. N’ 39. Pág. 7, 17 y Carátula. Mayo de 2003. Y N’ 42. Pág. 4, 7, Medellín, Junio de 2004. |